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Dr. Moses Nii-Dortey

Email: 
mndortey@ug.edu.gh
Section: 
Music and Dance
Profile

Moses Nii-Dortey (PhD in African Studies) is an ethnomusicologist, a Snr. Research Fellow and the Coordinator of the Music & Dance Section of the Institute of African Studies, University of Ghana, Legon. Nii-Dortey was a recipient of the African Presidential Fellowship, University of Michigan, Ann Arbor (2009), and the African Humanities Programme Fellowship from 2011 to 2012 with residency at the University of Dar es Salaam, Tanzania. Nii-Dortey has published widely on Arts Research in Africa, Folk Opera in Ghana, Traditional Festivals as Integrated Performances, African Popular Music, the Ghana National Symphony Orchestra and also on the Disparate curricula issues in Ghana’s Pre-tertiary Music Education system. In the last 20 years, Nii-Dortey has also been involved in several applied ethnomusicological initiatives to safeguard Ghana’s endangered folk operatic tradition pioneered in the 1960s by Saka Acquaye. The initiatives have produced two staged renditions of The Lost Fishermen at the National Theatre in Accra, in 2007 and 2011, a documentary on the life and works of Saka Acquaye the operettist, and a short film Adaptation of The Lost Fishermen folk opera in 2023. The short film was produced by Kwame Crenstil and premiered at the Institute of Musicology, Bern University, Switzerland. Nii-Dortey is a member of and a joint editor for the Mellon-funded Mapping Africa’s Musical Identities research project involving nine music scholars working in six African universities. The Special Issue (SI) publication with Critical African Studies (CrAS), Routledge, is expected in 2025.

Publications
  1. Nii-Dortey, M. & Akwetteh N. (2024). “The national symphony orchestra of Ghana plays Ghanaian classics: Negotiating multiple identities through highlife music”. Popular Music. Cambridge University Press. https://creativecommons.org/licenses/by/4.0/
  2. Nii-Dortey, Moses & Akwetteh, Laryea (2022). ‘Reaping the Harvest of Her Own Seed’: Afro-Americanisms in Ghanaian Popular Musics. In Fernando Palacios (Ed) Understanding America: the essential contribution of Afro-American music to the sociocultural meaning of the continent. Pontificia Universidad Católica del Ecuador
  3. Nii-Dortey, M. and Nanbigne, E. (2018). The life, works and worries of a genius: A biography of Saka Acquaye. In Akrofi Ansah Mercy & Sutherland Addy. Building the nation: seven notable Ghanaians. Accra: University of Ghana, Legon. Digibooks Ghana Ltd. http://www/digibookspublishing.com
  4. Nii-Dortey, M. (2017). Spirit possession in traditional ritual dramas: The Informed Audience Factor. In A. Awedoba, J. Gordon, E. Sutherland-Addy and A. Adomako –Ampofo (eds) Revisiting African Studies in Globalized. Accra: Smartline and Institute of African Studies.
  5. Ntewusu, S., Nanbigne. E., Nii-Dortey, M. (2016). Chief Braimah I: A Yoruba chief, Muslim leader, Trader and Mediator in Colonial Accra. In S. Tonah and A. Anamzoya (eds.) Managing Chieftaincy and Ethnic Conflicts in Ghana pp. 123-138. Accra: Woeli Publishing Services.
  6. Nii-Dortey, M (2015). Folk opera and the cultural politics of post-independence Ghana: Saka Acquaye’s The Lost Fishermen. In D. Peterson, K. Gavua, C. Rassool (eds) The politics of heritage in Africa: Economics, histories, and infrastructures. Cambridge University Press.
  7. Nii-Dortey, M. (2013). The Africanization of western art music in Ghana: The case of the Ghana National Symphony Orchestra and its music. In S. Owoahene-Acheampong (ed.) African Studies and Knowledge Production. Legon-Accra: For the University of Ghana by sub-Saharan Publishers.
  8. Nii-Dortey, M. (2020). Liveness, multifocality, eavesdropping in ethnomusicological fieldwork research at Ghanaian festivals and royal funerals. African Music: Journal of the Library of African Music. Vol. 11(2) pp. 102-118 Grahamstown 6140, South Africa. journal.ru.ac.za./index.php/africanmusic/index. DOI: https://doi.org/10.21504/amj.v11i2.2316
  9. Nii-Dortey, M. and Nanbigne, E. (2020). Tabooing Insults: Why the Ambivalence. Journal of Philosophy and Culture Article No - DB569ED63018 Vol.8(1), pp. 1-11, https://doi.org/10.5897/JPC2019.0039 http://www.academicjournals.org
  10. Nii-Dortey M. & Arhine, A. (2019). Disparate trajectories in pre-tertiary music education in Ghana: Implication for holistic education. Research & Issues in Music Education (RIME), Vol. 15, No. 1, Art. 7. JMU Scholarly Commons. https://commons.lib.jmu.edu/rime/vol15/iss1/7
  11. Nii-Dortey, M. (2012). Historical and Cultural context of folk opera development in Ghana: Saka Acquaye’s ‘The Lost Fishermen” in Research Review Vol. 27. No. 2. pp. 25-58. Accra: Institute of African Studies, University of Ghana.
  12. Nii-Dortey, M. and Arhine, A. (2010). The performing arts and the post-colonial Ghanaian experience: The Ghana National Symphony Orchestra in perspective. In Research Review Vol. 26 (1) pp. 37-60. Accra: The Institute of African Studies.
  13. Nii-Dortey, M. (2020). Finding the Lost Fishermen: A study in recovery, performance and preservation. (Eds) Christo Doherty: Arts Research Africa Conference 2020 pp. 68-77. Johannesburg: The Wits School of Arts, University of the Witwatersrand, South Africa. DOI: http://doi.org/10.17605/OSF.IO/P4WKT https://creativecommons.org/licenses/by/4.0
  14. Ampofo, A.A., with Alhassan, O. and Ankrah, F. Atobrah, D. and Dortey, M. (2007). Examining the Sexual Exploitation of Children on the Streets of Accra. Accra: UNICEF.
  15. Amoah-Labi, K and Nii-Dortey, M. (2007). Africa and the Diaspora (Course module). The Legon Center for Distance Education, Institute of Adult Education, University of Ghana, Legon.
Other Academic/Creative Work/Exhibits

Applied ethnomusicological initiatives to safeguard Ghana’s dying folk operatic tradition pioneered by Saka Acquaye in the 1960s…

  1. (2021) A documentary on the famous Wulomei Band Directed by Saka Acquaye & Nii Tei Ashitey titled Reminisces of the Wulomei Produced by Kwame Crenstil.
  2. (2023) A short film Adaptation of ‘The Lost Fishermen’. Executive Producer: Moses Nii-Dortey. Directed/Produced by Kwame crenstil
  3. A composite script of The Lost Fishermen folk opera (Music Score and Text). Songs recovered through field research and transcribed by Moses Nii-Dortey.
  4. DVD of The Lost Fishermen performed at the National Theater in 2007 and Alliance France, Accra, in 2011 by the Accra Kushite Company. Music Director M. Nii-Dortey; Director of Play Addoquaye Moffat; and Director Choreography Goerge Djikunu